Looking over one draft's notes (I don't know which draft except that it was in November 2002), I marked to make clearer that Sileph was a foil for Finn. He's an interesting character to me. I genuinely loved writing him, even if I was so uncomfortable putting Enna in his power.
Other draft notes:
What is going on in this section? Must use it to move forward 3 plot lines:
1. grows farther away from Bayern and Isi
2. learns to consciously love S and contrast with F
3. relationship with fire—must learn more about it, learn to control or give into it
Whew. These chapters are all so intense for me! I've said before, I don't think I could have written this book when I had children. I'm so much more sensitive now, I couldn't have lived inside this story for so long.
Viola asks, "Is it possible for you to pick a favorite book out of the Bayern books? ;D" Nope! Like picking a favorite child. The mood of this one is quite different from the others. But I'm fond of them all. They were all extremely hard books to write. I poured my everything into each one, hoping they would stand up to many rereads.
Anna asks, "I ADORE this UK cover for Enna Burning. I'm partial to the older painted ones as well, but I've had trouble finding them. Would any stores still carry those older covers, or is my best bet to scour the internet some more?" I love the Alison Jay covers too! The US hardcovers are still in print and have these covers. I know my local store The King's English keeps them in stock. Or any bookstore can special order them if they don't have them on the shelves. Forest Born has a special edition cover with the Alison Jay artwork.
Eliza asks, "You've made a few references to your sisters in recent posts. How many do you have?" Enna Burning is dedicated to my three sisters Melissa, Katie, and Jessica.
(ps. I have a book announcement on my tumblr page)